Kris Keogh has spent over two decades in the Australian electronic music underground, intent on making the most beautiful noise, any way possible. That could mean making hyper-glitched processed harp works under his own name, or making punishing chiptune beats, or by designing his own custom audio processing software using Reaktor.
He’s released on some of Australia’s best DIY labels (Datadoor, New Weird Australia, Provenance) and supported international acts like Senyawa (Indonesia), Oval (Germany), Francisco Lopez (Spain), and even Diplo.
Living and working in Arnhem Land, by day he’s a mix engineer, working with some of Australia’s best indigenous music acts (King Stingray, Yothu Yindi, Yirrmal, Birdz), by night he continues to push audio into stranger, weirder places.